decoding modes. 2K recording with ProRes, high-efficiency image capture, and dedicated AI processing. 1. 07 GB/min or 424 GB/hr. Looking at the ports, you get the remote, mic,. 264 format in the Preset menu: Match Source - Adaptive High Bitrate. I have not heard it mentioned in reviews that there is a setting in the camera app to. That brings us to the iPhone 13 Pro and its 10-bit 4:2:2 ProRes HQ codec. 8K Apple ProRes footage to an SSD or Atomos device connected via HDMI or USB, or 5. Apple ProRes 4444 with. 7K at 30p ProRes 422 HQ and C4K at 60p ALL-I. ProRes 2K 2048 1152 2048 1152 2048 1152 12,44 7,00 0. But often, it's better to send out lighter files for review and save the big downloads. It's still quite a lot bigger than DNxHR HQX (700Mbps), but moving in the right direction. This is 3840x2160 ProRes 444. 264 files. MP3 for Audio Podcasting. Here's a step-by-step approach for exporting with the H. If video quality is your number one priority, then by all means, upload ProRes, DNxHD or uncompressed HD video files. 264. 265 didn't exist. S23 ULTRAS 'PRO RES' VIDEO. The target data rate of Apple ProRes 422 LT is approximately 102 Mbps at 1920 x 1080 and 29. The S5IIX can record ALL-I and ProRes. Audio is set to AAC at 192kbps. ProRes RAW HQ 12-bit and ProRes 422 HQ 10-bit data specifications are available from the Apple website. Look at this quick image from a quick test I did. This isn’t all that surprising as ProRes HQ ups the bitrate again to around 700 Mbps. I really wish Blackmagic would add a more compressed codec like a high quality h. 264 or H. 264, MPEG/4, HEVC or any other highly-compressed format, edit and export a master file using ProRes 422. Apple ProRes 422. Key Frame Distance: Enable this option to specify how often keyframes (aka I-frames) are inserted in your exported video. Toggle on the switch for "Apple ProRes. ProRes also has the benefit of coming in two main formats; 4:4:4: and 4:2:2. Apple ProRes White Paper (2022)Re: ProRes with Constant bitrate. And the Quicktime grouped with "mp4" at the bottom is the h264 codec - don't use that one. The Ninja V will be able to record full dynamic range of the a7S III in 12-bit Apple ProRes RAW for enhanced latitude in post-production. Best used with Apple machines and apps. ProRes 4444's color depth is 12 bit, unlike 10bit DPX. Prores is a 422 codec, with an existing 4444 variation. Regular_Actuator408 • 7 mo. Balancing strong photo and video capabilities, the FUJIFILM X-H2S is a multimedia mirrorless camera featuring a newly developed X-Trans stacked sensor,. ProRes Proxy is surprisingly good - especially considering the bitrate and the fact that ProRes isn't particularly efficient as a codec. The QuickTime at the top of the drop down is ProRes. That'll take 12-36x longer than H. The ProRes family can be broken down into 6 codecs listed here from the highest to lowest quality: ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, ProRes 422 LT, and ProRes 422 Proxy. By far the most common proxy codecs are DNxHD/DNxHR and ProRes. Then, select Create Encoding Preset. 640 x 480 for 4:3 content. Like the existing ProRes codec family, ProRes RAW is designed for speed. 264 vs HEVC at different bitrates. The following chart is from the ProRes White Paper that Vishu linked to: 1920-by-1080 Apple ProRes 422 HQ at 29. r/VideoEditing. 7K (Apple ProRes 422 LT). Variable bit rate (VBR) encoding — This basically means that scenes with less pixel information (due to low-light or little motion, for instance) will have a lower bitrate than their vivid, high-motion counterparts. For more information on codecs check out the Videomaker guide What is a CODEC. 265 that are used by the majority of smartphones and digital cameras. Apple ProRes 422 LT. 4K, on the other hand, requires close to 226GB of storage—almost 4GB per minute. ProRes 422 Proxy. File. Check the Box, Render at Maximum Depth----- Ok, I have a Footage that was shot with 4k Sony. Incidentally, I did my own subjective tests looking at footage I shot comparing ProRes HQ and ProRes LT at 1080p. It'd at least be a lower bitrate than the other ProRes flavors, which would help reduce storage space requirements for your proxies. 03 lb without the body cap and the CFexpress Type B media card. You will need to restart the editor afterward. 264. When you're ready to Color Correct, just toggle that off so you can live-preview the highest quality image. Three factors contribute to this: 95 VMAF is a very high quality target. You're hopefully using PR 422 (or HQ) for mastering. that's when further bitrate increases at 1080p start to become visually indistinguishable from ProRes. It stands to unseat even Apple’s brand new ProRes Raw due to Blackmagic’s. See the Apple ProRes 422 Codec Family for a general description of the shared technical characteristics as well as history of the format. Nikon. The higher ProRes standards. 265” codec under the “Mp4” format on the “Deliver” page if you have time constraints. 01-03-2023 12:43 PM - last edited 01-03-2023 12:54 PM. KNOWN BUGS / LIMITATIONS : OSX : When exiting the AfterCodecs options dialog, the UI freeze for a few seconds. Since your source is ProRes, you can chose ProRes for Adobe Stock delivery of high quality video. DNxHR and ProRes are comparable in quality at the same bitrate. ago. Each flavor of ProRes features a higher bitrate, allowing users to. 97fps comes in at 220 Mbits/second. Although the variable bit rate for ProRes means that results will vary, specialists report that the 220 Mbps target data rate for Apple ProRes 422 HQ would yield a one-hour file of about 97 GB. Encoded Dimensions. It can also capture 12-bit ProRes RAW video. 264 to download, but if your drives are fast enough it'll be a much better. They have both been around for years, so they’re very widely supported. Anything higher wont really matter. So, there's no option with ProRes to set or dial in the bit rate like there is with H264. . Everyone knows how to handle them. Another thing to note is that Solid state drives (SSDs like the Samsung 860. alpha test. There is no easy way to recommend best settings for certain videos, try, try, and try again is the way to go. ProRes Proxy files are recorded in 2K for 17:9 formats and in HD for all others. The target data rates given are all for 1920 x 1080 video at 29. ProRes 709 vs. 26x and MPEG standards. So, if you want to compare codecs like ProRes vs DNxHD, ProRes vs Cineform, DNxHD vs. For ProRes (meaning the codec is prores_ks), change the rate control to Quality-based VBR, then set Quality to 100%. * Bitrate varies with ProRes compression level and framerate **Audio is Linear PCM except in MP4 mode, where AAC compression is used. b (target-bitrate) ProRes codecs support SD, HD, 2K, 4K, and 5K at full resolution. 7. 1. I really wish Blackmagic would add a more compressed codec like a high quality h. 3840 x 2160 (Ultra HD) Apple ProRes 422 HQ - 110 MB/s Apple ProRes 422 - 73. Apple ProRes 422 is a high-quality compressed codec offering nearly all the benefits of Apple ProRes 422 HQ, but at 66 percent of the data rate for even better multistream, real-time editing performance. It's considered "visually lossless" but that's not quite the same thing. ProRes protects the image quality of the video while allowing for fast encoding and decoding. The CFexpress card (Type B) supports internal recording of high bitrate video at 800Mbps or more including 5. 97 fps. 4K 120p, 6. The $600 Atomos Ninja V is one of the best as it unlocks the maximum bit rate and bit depth from your camera’s video signal. Bitrate. I also wouldn't transcode master files (ProRes or high bitrate H265 from camera) before editing. Not to quibble, but file size = bitrate x duration. 265 using Apple Compressor. If you are capturing in a cropped sensorSetting up ProRes RAW on the LUMIX S5IIX and LUMIX S5II takes no time at all. ProRes is not available in this Resolution. The slight issue here, as we already know,. 265 to the point where it does look worse than a ProRes Proxy. Since the color space of Standard Definition tends to be 4:1:1--formats like H. High bitrate. 264 (and 265) are interframe codecs that. Translate. DNxHR and ProRes are comparable in quality at the same bitrate. Target Bitrate: 14. ProRes （プロレズ）は 不可逆 映像圧縮フォーマットである。 Appleによりポストプロダクションのために作られた。 8Kまでの解像度をサポートする 。 これはApple Intermediate Codecの後継として2007年にFinal Cut Studio 2と共に発表された。. Some banding and blocking. Also, 4K 30p requires an iPhone with 256GB, 512GB, or 1TB of storage. But should you find that you are low on storage space, then you have the option to use. This codec is best when exporting your film for film festival screenings or delivery to a major streaming service or broadcast network. The bit rate for ProRes movies is set automatically according to the format chosen and the frame size and rate. Bitrate Encoding: VBR, 2 pass. Images are recorded directly to AtomX SSDmini or other. La misma app Cámara indica, cuando activamos el modo ProRes, la. ProRes is a variable bit - 11112615. I just did a test export with Prores 422 HQ and mananged to get 176Mb/s on one scene and 71Mb/s on another (both same duration). " Select "Formats" at the top. That makes it very light to decode, but requires a lot more data. On my BMPCC-4K, 4K/60/13-bit is recorded in something like 65MB/s BRAW (500Mbps+Audio), the same format in ProRes 422 HQ would be 210MB, and ProRes RAW is only a little smaller, so probably still 3x bigger than BRAW. Why ProRes is so great, is, Intel standard SSDs that are inside your computer, you. 4:3 or 16:9. 265. 264 and ProRes codecs. ) Assuming H264 is a more "efficient" codec, we are hoping. The CODEC helps determine the quality of the captured content, but we need to know the bit depth and bit rate to have a better understanding of file. LATEST. 2K is expected to be around 700 Mbit/s, which is 1/3 of Arriraw Open Gate’s 2. 264. Apple ProRes ProRes codecs take full advantage of multicore processing and feature fast, reduced-resolution. January 19, 2023. Adobe Community. Number of simultaneous 4K streams ProRes RAW also supports accelerated reduced-resolution decoding Apple ProRes. ProRes 422 LT Thanks to a filmmaking app, we now know the bitrate when shooting in maximum video quality in the iPhone 13 Pro. Cineform is about 235 Mbps from what I understand and is closer to Prores 4444 (might be overkill) DNxHD 100/115/145 @ 8-Bit+ (Keep it in the SQ class of codecs for 145 Mbps or lower) 1 Upvote. avi -c:v prores -profile:v 3 -c:a pcm_s16le output. It can shoot ProRes 422 Lt, 422, and 422 HQ internally. GOP Size or Keyframe Distance: Custom value for the interval between two full images. DPX, or any other combination, you’ve come to the right place. It also has ALL-Intra recording (C4K, 4K or 3. The firmware announcement makes no mention of regular, 16:9 UHD 4K resolutions ProRes or ProRes RAW, or of ProRes options for. Bitrate Comparison at 4096 x 2160 / 24p. As a variable bit rate (VBR) codec technology, ProRes uses fewer bits on simple frames that would not benefit from encoding at a higher data rate. Go with ProRes, easier playback for the computer. If you turn ProRes off in the Camera app, the format of the video will default to the format you set under Camera Capture in. This parameter determines the quality of the resulting prores movie - both the resulting size and bitrate. When you connect proxies, that will automatically engage, and you'll notice a MASSIVE performance boost in Premiere. So for instance, if we encode an action sequence, ProRes can use a higher data rate which will ensure that image loss is negated and the detail of the video remains. Playback only of ProRes 4444 QuickTime up to 1080p60 with auto routing of fill and key over SDI A and B outputs. 94 frames per second. This parameter determines the quality of the resulting prores movie - both the resulting size and bitrate. *Recording time can become short depending on the temperature and/or shooting conditions: Film simulation mode In order for ProRes to match the image quality of h. 3:1. The youtube-dl info shows that the 4K UHD VP9 file was 8Mbps compared to the 1080p file being 1 Mbps. I don't want to work with reencoded gargabe. Alle ProRes-Codecs von Apple sind bildunabhängige (oder „Intra-Frame“-) Codecs, d. As Apple defines it “The role of a codec is to preserve image quality as much as possible at a particular reduced data rate,. Graded Log ProRes clip in a sequence with Maximum Bit Depth on. We use 422 as a delivery format to go to DCP for theatrical versions of trailers. Bitrates of X-OCN vs RAW and ProRes. But. Open Adobe Media Encoder and click the plus icon in the top left corner. NRAW, if anything like BRAW should be significantly smaller than ProRes RAW. ProRes 4444 uses 4:4:4 color sampling to encode RGB log film scans, and a higher bit rate (less compression) than the ProRes 422 codecs. This is a beastly codec that chews through storage on high-end professional. However, Premiere export the file with the audio bitrate a bit lower than the one in setting, i. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, with excellent multigeneration performance and a. If I dropped the target to 93 VMAF the bitrate would drop to a more reasonable 6,464 kbps. They all look identical, or even worse, to the 100-150MB h. La mayoría de las cámaras aún disparan en resolución HD a 1920 × 1080 píxeles. Bitrate Comparison at 8192 x 4320 / 24p. My test clip size reduced from 3. Here’s the string I’m using. For example, ProRes HQ for 1080p at 29. mp4s, 1 pass VBR with a target bitrate of 3mb and a max bitrate of 5. Apple ProRes 422 LT's target data rate is approximately 102 Mbps at 1920 x 1080 and. Use an intermediate codec like ProRes, DNxHD or Cineform. This tool is intended to give an indication of the amount of space a given video format will take up on disk. ProRes RAW is a new codec, released by Apple, that allows for a new standard of video compression for RAW Footage. Apple has released a new video codec into the filmmaking post production world. With the option to record in either H265 or various ProRes formats -- as H265 is very efficiently compressed in camera -- for a. “Constant BitRate” functions the same as any other codec by placing a cap on the maximum data rate of incoming footage from the sensor. However you can squeeze the crap out of an H. FP let’s you take ProRes 4k60 fps at the expense of colorspace and your phone heating up 😅. Not bad at all. DNxHR 444, ProRes 4444 and ProRes 4444 QC are the only codecs with embedded alpha channels. so there’s specific higher bitrate “flavor” of ProRes or DNx that can account for alpha channel, but. That’s happened to me. Your iPhone supports these resolutions and frame rates: ProRes support for 256 GB, 512 GB, and 1 TB storage capacity: 4K at 60 frames per second (fps), iPhone 15. It ranges from the space-saving 422 Proxy to the high-end, all-out 4444 XQ. Cineform is an excellent alternative, but a bit slower on Macs. Translate. ProRes is a variable bit rate codec. ProRes 4444 and 4444 XQ render even better quality with YUV 4:4:4, a color depth of 10 or 12 bits. 8K ProRes RAW recording is now available up to 30fps with the latest firmware updates for the Atomos Ninja V+ and the Canon EOS R5 camera. Apple's white paper doesn't list that frame size exactly, but for 2048x1080, it says the data rate should be 453Mbps (ProRes XQ no alpha). Users now have access to a UHS-II SD card slot and a CF Express type B slot, required for ProRes and high bitrate recording. 4-axis vertical/horizontal tilting monitor and improved vertical user interface support vertical shooting. When you go to the Export window (File > Export media), you should see a tab for video settings and one for audio, as in the screenshot below. The BMCC can shoot "ProRes 422 HQ" which has a target data rate of up to about 220 megaBITS/sec for 1080p30 (10-bit 4:2:2). "Apple の各 ProRes フォーマットの違い" . Constant Quality. ProRes 422 Proxy is also avaialble when recording ProRes, which can assist in streamlining post-production workflows. The ARRI Amira upgrade announced last week. There is a relationship between bit rate, file size, and image quality. It's NOT for a lack of quality however. The format first emerged way back in 2007 and has since made it into many professional workflows. ALAC). You can also use Proxy or Low-Bitrate HD formats Cineform, Prores and DNxHD as well. 264 or H. Sep 20, 2017. Apple ProRes formats; Subsampling: Format: Bit-rate: 4:2:2: Uncompressed 4:2:2 video: 1,326Mbps: 4:2:2: Apple ProRes 422 HQ: 220Mbps: 4:2:2: Apple ProRes 422: 147Mbps: 4:2:2: Apple ProRes. 264’s more advanced processing does put it ahead, with much better minimum PSNRS (43. From Apple’s documentation: “The Apple ProRes format has a target data size for every frame, regardless of complexity, but allows frames to fall short of that target if they are simple (if. Pin. As an example though, for ProRes 422 HQ at 4K 30p the target data rate is 943 Mb/s or 7. This is a beastly codec that chews through storage on high-end professional. And yes, with the right hardware and software you. In the ProRes RAW White Paper (dated November 2020 as of this writing but updated frequently), Apple states that the ProRes RAW family is based on the same principles and underlying technology as existing Apple ProRes 442 Family and Apple ProRes 4444 Family codecs, most notably support for intraframe (I-frame) only and variable bit rate. As an example though, for ProRes 422 HQ at 4K 30p the target data rate is 943 Mb/s or 7. Примечание. You can render and export faster with ProRes RAW than you can with. However, there are six versions of ProRes, each of which vary in bit rate (and file size). ProRes is also constant bitrate. The nature of ProRes is a variable bit rate (VBR) codec. The new Z8 packs in a lot of the same features and functionality as the Z9 which certainly does. り高くなっています。Apple ProRes 422 のターゲットデータレートは、1920x1080、29. MKV is the default container and recommended for most use cases, as it can be easily remuxed into a more compatible format. The ProRES RAW created by S5 HDMI export into Ninja V is a 5. 5W 4K at 30 fps, 25 fps, and 24 fps A quick overview of the target data rates for ProRes, DNxHD, and DNxHR in Megabits per second (Mb/s). *Apple ProRes codec can be only recorded to CFexpress Type B card *Bitrate for Apple ProRes codec is not selectable. The Canon Final Cut Pro plug-in v1. The -profile switch takes an integer from -1 to 5 to match the ProRes profiles: -1: auto (default)Constant Bitrate Options for BMPCC6K Pro. YouTube used to publish settings for people with Enterprise class connections - the 1080 size was 50Mb/s (They suggest 8Mb/s for 1080 as a minimum. Apple limita la grabación de vídeo en 4K con ProRes: estará disponible solo en los iPhone 13 Pro con más almacenamiento. 265 in-camera recording. Had the same problem, MP4 is worthless for recording unfortunately. These can be magnitudes larger in size and resolution and whilst with enough horsepower maybe easy. Those formats are made to hold up to being re-encoded while being very fast to encode/decode. (maximum bitrate 200Mbps) and H. ), and frame rate (23. It can shoot H. If you're downloading a two-hour movie in 720p format, its size may be anywhere between 1. Vashi Nedomansky, ACE. Something like a 422HQ will have much higher quality than 422 proxy, but at the cost of being a much larger file size. 265, or even moreso a lossless codec like cineform or prores) then using x265 will give a visually superior output than x264 will for the same. Use. HQ, SQ, LB. Camera app takes ProRes 4k30. ProRes target data rates; Dimensions: Frame Rate: ProRes 422 LT: ProRes 422: ProRes 422 HQ: UHD 3840 x 2160: Mb/s: GB/hr: Mb/s: GB/hr: Mb/s: GB/hr: 24p: 328: 148: 471. The higher the better, up to a max limit of maybe 100Mbit/s. 88fps from the standard 8-bit HDMI output of the Sigma fp. Apple ProRes 422 LT. They're both ProRes 422, and both would be exporting at a higher bitrate than my original footage anyway. Granted a 4K UHD video is like 4 HD videos stacked together, but then you’d only expect four. It has a high bit-rate, which means it retains excellent image resolution. So, the algorithm may 'see' more detail for interlace. 97; Fast encoding and decoding (both at full size and half size) ProRes 4444 and ProRes 4444 XQ Like standard Apple ProRes 4444, this codec supports up to 12 bits per image channel and up to 16 bits for the alpha channel. 7K at 30p ProRes 422 HQ and C4K at 60p ALL-I. Usb-c/thunderbolt would have been nice to save footage directly to external drives, but even then. 264 or H. For the best image quality, I recommend using ProRes RAW HQ. Then you find a nice lossless codec (prores for example) or an "ok" codec (h. 265, however encode times will be much longer! That would let you knock another 25-50% off that bitrate though. The camera's other frame rates result in. Movie Recorder also generates GIF files. 97 30 47. Give your new preset a name, then, from the Format menu, pick QuickTime. 63 MB/s Apple ProRes Proxy - 24. 0 means best and it goes up to 32 which is worst. Here's a set or SSIM tests done on Prores vs h. 264, you need a much higher bitrate. External controls give quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera. 30 percent smaller file sizes. 264 is meant for distribution and ProRes is meant for mastering. Each variant is named according to bitrate and bit depth, so for example DNxHD 120 means it's a 120 Mb/s 8-bit codec and DNxHD 185x means it's a 185 Mb/s 10-bit codec (the x indicates 10-bit). (8192 x 4320) at 23. 8Easy Online Video Size Calculator [4K Included] How-To Guide: 1. Apple's white paper doesn't list that frame size exactly, but for 2048x1080, it says the data rate should be 453Mbps (ProRes XQ no alpha). 5:1 give you a constant bitrate of 194 MB per second – about 12 GB of footage per minute. Apple has released a new video codec into the filmmaking post production world. For TV productions working in UHD, Alexa XT cameras and Classic cameras with an XR Module will be able to record ProRes 3. For instance, if there are many movements in a video, the codec assigns the maximum bitrate. ProRes Proxy files are recorded in 2K for 17:9 formats and in HD for all others. 7GB in. Some cameras now seem to be bitrate/transfer speed limited, basically trying to max out what can be output within a bitrate/transfer "ceiling". Weight. 264, you need a much higher bitrate. On your iPhone 15 Pro or 15 Pro Max, go into Settings, then scroll down and tap Camera. Select "Record Video. The target data rate of Apple ProRes 422 LT is approximately 102 Mbps at 1920 x 1080 and 29. H. Los iPhone 13 Pro y 13 Pro Max con memoria interna de 128 GB podrán. The 1080p bitrate of 9,783 is obviously pretty high. In October 2021 Nikon announced its flagship hybrid mirrorless, the Z9. With a future software update, the Z9 will be able to record 8K up to 60p in 12bit RAW internally in either Nikon’s own flavor of RAW or ProRes RAW HQ. Personally, I export the Insta360 video as ProRes to make my video montages in FCPX. The filezise is now 2,18 gb. To get more documentation of the libvpx options, invoke the command ffmpeg -h encoder=libvpx, ffmpeg -h encoder=libvpx-vp9 or vpxenc --help. The actual bit rate in a ProRes recording varies depending on the recording format (FPS & resolution) and a scene's content. What is the resolution and bitrate of low, medium and high resolution?I'm using the prores_ks codec and following the intructions on the man page this is my command, testing on a QTRLE encoded file with 8-bit RGBA: ffmpeg -i '. Una de sus grandes bazas es que es la primera cámara con sensor APS-C que permite grabar en 8K con el códec Apple ProRes en tres variantes: ProRes 422 HQ, ProRes 422 y ProRes 422 LT. As such, the codec is ideal for video. You'd have to check. It also has less sharpening baked into the image, though it. That brings us to the iPhone 13 Pro and its 10-bit 4:2:2 ProRes HQ codec. 264 variants can look better at a given bit rate. 264 DV high quality the level is set to 3. The bitrate is also limited here by the “Level” settings under the video tab. *When recording video at 25℃ from a cool start, with the auto power-off temperature set at “High,” bitrate of 100Mbps, a vertical battery grip VG-XH attached and using three batteries. ProRes 422 will probably do just fine, but if you have lots of storage space, then going up to ProRes 422 HQ will have a slight edge. Now go back to the previous page and tap Record Video. 940 FPS Encoded date : 2023-11. Bitrate Comparison at 8192 x 4320 / 24p. Scroll down and select "Camera. 97fps comes in at 220 Mbits/second. Choose device or format, and then select the specific device or format type. ProRes is an excellent codec for editing and finishing. Why ProRes is so great, is, Intel standard SSDs that are inside your computer, you could record to it. The YT-converted ProRes version was much, much better than the H264 I made. On the mentioned Fujifilm the highest h265 data rate is 720 Mbit, while ProRes LT is 1200 with up to 2700 Mbit for ProRes HQ. In general, for recording purposes, you don't want to go below 422 HQ; even plain 422 is already a trade off and should only be done for footage you don't care for. In real life and depending on the visual complexity of your video your actual datarate will vary and generally not hit the maximum of 220Mb/s. frame rate. 265 and three tiers of ProRes: the high bitrate 422 HQ, the standard 422, and the more compressed 422 LT. The interesting thing about the numbers above from intoPIX is that the TICO RAW bitrate for 4K/60p is just 500Mbit at 1 bit per pixel (1BPP). In-camera de-mosaic: faster playback and rendering One of the main strengths of the Blackmagic RAW is the ability to process all the de-mosaic (the process which turns the sensor data into image) calculations inside the camera instead of using the computer’s CPU, which leads to. Really hoping that options to control the codec (color format, bitrate, etc) will be added, because this tool is amazing!Don´t use ProRes 422 HQ, use ProRes 422 LT for YT uploads. The codec is just the lowest bitrate version of the ProRes flavors and serves as proxy media format for higher end productions that used high quality recording formats like 10bit ProRes 422HQ and up all the way to uncompressed raw. This makes a lot of sense as it’s a widely. That'll take 12-36x longer than H. The lowest-bitrate variation of the ProRes codec, intended for use in editing software as a. Say, with bitrates of 50-100mbps, and tweaking the GOP size/structure. Indeed, Sony mentions that X-OCN files are computer-friendly, allowing for fast workflows even with modest post-production. 264 on youtube). Bitrates of X-OCN vs RAW and ProRes. a 4k file is going to be bigger than a 1080 file with the same bitrate and duration. (More technical stuff applies. You won't want less than ProRes 422 HQ for final results anyway. H. You're in a GIGO situation - Garbage in, Garbage out. It will put the bitrate at 20 (which you can't change) but the file will be a lot smaller. 264 codec. I plan on shooting hundreds of hours of footage with this camera, and I would like to know which settings are good for different situations so that I don't unnecessarily go through hard drives like crazy or. For more information about Apple ProRes, including the data rates for each codec, refer to the Apple ProRes White Paper. The problem is, in Adobe Media Encoder, there isn't any options to limit the bitrate at all.